
In the hyperkinetic multichannel video installation Devil’s Peak, Simon Liu surveys the psychogeography of Hong Kong as a feverish dreamscape, activating charged sites of recent civic upheaval, personal heritage, and postcolonial legacies.
In the hyperkinetic multichannel video installation Devil’s Peak, Simon Liu surveys the psychogeography of Hong Kong as a feverish dreamscape, activating charged sites of recent civic upheaval, personal heritage, and postcolonial legacies.
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